Doing Dickens – Part 11

I never thought I’d say that a Dickens novel was too short, but: Dickens, Hard Times is too short! You have disappointed me. The eleventh book in our epic quest to read all his novels, it felt like a mere pamphlet at 288 pages, and I missed the richness and depth of other works.

There are still many joys, especially the self-made businessman Mr Bounderby, who says all the things piggy rich tax-dodgers come out with today: I’ve made it all by myself, why can’t everyone else? Why do all my selfish workers want to be ‘fed on turtle soup and venison, with a gold spoon’? Etc etc. The fact-obsessed school owner Gradgrind was a pertinent reminder of what happens when education becomes micro-managed; the lisping circus master Sleary was a pleasure; the put-upon weaver Stephen Blackpool (with his scarily accurate alcoholic wife) broke my heart and, in fact, the lack of happy endings all round made the novel a surprising change from the norm. There was so much here, but I felt a frustrating lack of development of ideas and characters.

Luckily, Charles Dickens read my mind and made his next novel, Little Dorrit, a far more sensible 860 pages. Here are more thoughts:

‘It's never a great idea to publish a book with 'Hard' in the title. I thought I'd be in for a boring read, but my long held assumptions were wrong; it's a great story and if anything it's over far too quickly. Even the setting, grimy old Coketown, potentially quite oppressive, is described with Dickens usual energy and wit so that you can hear the rattling of the looms and taste the coal dust. My favourite character is probably Merrylegs the circus dog. To summarise this novel: Down with equations! Hurrah for horseback balancing tricks! Worth reading if you are a busy professional who does not have time to tackle any of Dickens's 900 page-ers.’ Becky

Hard Times is so very much shorter than most of the other Dickens books we've read (110k to Copperfield's 382k), and it surprised me now much I noticed and mourned that brevity. This Dickens felt much more like a short story, with characters lightly sketched rather than fully drawn, and with now-familiar archetypes populating the grim scenes of a northern industrial town, Coketown. Really, Dickens, it was too short, and I could tell that you'd just bashed this one out. C- for effort. Having said all that, of course his weakest efforts are, still, leagues ahead of most other novels. And as ever, the dialogue is a masterclass in dialect and character, the children and villains are utterly believable and the family relations are all so recognisable. Plus it's got a charming circus ringmaster with a lisp! And one of the most blackly comic family reunions I have ever, ever read. So, considering its shortness and its almost comically bleak ending, I give Hard Times a better-than-The-Old-Curiosity-Shop 6.9/10.’  Sam

Louise Willder, Copywriter

The Penguin Shop Pops Up

Yesterday I sold some books.  Obviously, in a fundamental sense, that's what everyone at Penguin does every day (and if they don’t think that’s what they do, I think the Boss might like a word…), but I mean I really sold some books because I, and the rest of Team Pop, launched the new, and pretty fabulous (even if I say so myself) Penguin Pop-up Shop! In the forecourt of Penguin Towers at 80 Strand, with the twinkly, hilarious genius that is Eoin Colfer (more on that later). The shop had been a long-time coming.  Seriously long – we had the first meeting in 2011 – but I felt the hours and hours of talking through design iteration after design iteration and the merits of pedal-power versus scooter-speed were well worth it when I took my first cash sale.

 

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The shop made its debut in bright sunshine (amazingly!) and a queue of people were quickly lured in off the Strand by the dazzling orange, the beautiful books (naturally) and the aforementioned Artemis Fowl creator, Eoin Colfer, who officially declared the store open (and was kind enough to sign a few volumes for the first customers too).

Designed by the brilliantly talented Shell Thomas and brought to life by producer Mick Glover, the look of the shop has gone through a number of transformations, from a standalone bookcase for readers to browse, to what it is now – a transportable, scooter-ised shop-front (we have plans for the shop to travel around A LOT). It was the orange Swifty scooter that eventually won us over; there aren't many things cuter than a Penguin on wheels.

Preparations for the shop’s launch were pretty hectic – particularly as the vinyls you can see on the shop only arrived at 4pm on Thursday.  We spent the last week making a number of last minute adjustments (you know, little things like taking the height down by a couple of inches to GET IT INTO THE LIFTS!  Stress?  You have no idea.) but, on the day, the shop did us proud. The reaction from readers was fantastic and Eoin Colfer reckons that every author should have one of their own.

 

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So, it’s ready, it’s rolling, and it’s probably popping up at a festival near you soon – follow @penguinukbooks and track it down (I’ll be the one with the big, proud mummy, smile).

 
Lorna Broomfield
Communications Executive

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